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Hans Zender On my Canto VIII Shir Ha Shirim With Shir ha Shirim I struck my final blow for freedom and determined my own musical world.
All my life I was attracted by the idea of using The Canticle of Canticles as the basis for a great work. I had to wait a long time until I felt my technique of composition was advanced enough to enable me to set about this task. It has as soloists a soprano and a tenor (bride and bridegroom) and they are accompanied by a solo flute and a solo trombone. These two instruments introduce virtuoso in-concert-performance elements into the cantata character of the work. They are connected via a keyboard to a ring modulator and the ensuing modulation stands in close relationship to the developed harmonics of the whole piece. In this harmonic arrangement, each individual sound is based on the development of a certain basic interval which is achieved by adding to it its sum and difference tones (the so-called combination tones). By means of this harmonic structure I feel I have escaped from the bottleneck in which music found itself after the serial epoch and which had led to the degeneration of harmony. It has become possible to gain control over micro-intervals and make them perceptible to the ear. The two tones that constitute the basic interval of each sound are for me "bride and bridegroom" in a purely musical sense. It has become possible to generatively develop all sounds away from each other in different directions. Relationships exist, and within these relationships there is a hierarchy. Solomon's Canticle of Canticles Thursday, 30 August Zender Shir Ha Shirim Soloists Conductor Sylvain Cambreling SWR Symphony Orchestra
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