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CAMERATA SALZBURG: The guiding lights: Bernhard Paumgartner, Sándor Végh and Sir Roger Norrington
Musical spirit ‘The Camerata Academica of the Mozarteum Salzburg’, ‘The Camerata Academica Salzburg’, ‘The Camerata Salzburg’: three names, one orchestra, fifty exciting years of musical history. Musicians, conductors and audiences alike know and admire that special musical spirit that pervades the Camerata Salzburg’s performances: that sense of the individual in the whole, the sensitivity and responsibility of each individual for that whole. This philosophy, which guides the 36-member ensemble, goes back to Bernhard Paumgartner from Salzburg, the conductor and music teacher who formed a group of teachers and students from Salzburg’s music university, the Mozarteum, to perform in the 1951/52 season. Debut in April 1952 The Camerata Academica of the Mozarteum Salzburg, as Paumgartner called his new ensemble, gave its first concert on 9 April 1952, in the Great Hall of the Mozarteum in Salzburg. When Bernhard Paumgartner died in 1971, there were many conductors very willing to work with the Cam- erata over a longer period. Under Antonio Janigro, who became leader of the Camerata in 1974, the orchestra introduced its first cycle of subscription performances in Salzburg. One of the soloists at the time was a musician who was later to play such a decisive role in the future of the orchestra: Sándor Végh. Influence of Sándor Végh and Sir Roger Norrington The first official concert under Sándor Végh took place on 11 November 1978, in Salzburg. Like Paumgartner, he also cultivated the individuality of the ensemble’s musicians. Végh died on 7 January, 1997, in his 85th year. In May of the same year Sir Roger Norrington declared his willingness to take over the artistic direction of the Camerata. Working with soloists Around this time the ensemble began to work more closely with soloists who – as the pianist Géza Anda once did – liked to conduct their orchestra themselves while staying with their instruments. Mitsuko Uchida, Murray Perahia, Thomas Zehetmair and Heinrich Schiff reintroduced this practice which had become a tradition with the Camerata; with Anne-Sophie Mutter as soloist and conductor the ensemble went on tour on a number of occasions. Leonidas Kavakos a permanent guest The violinist Leonidas Kavakos has been working regularly with the Camerata since 2000. A pupil of Sándor Végh’s, he is the orchestra’s Principal Guest Artist and performs with it both as soloist and conductor. If the high standards of the ensemble are to be maintained, it is vitally necessary that financial stability obtains. Two financial institutions have entered into a sponsorship agreement to help provide the Camerata with the required financial security. Under the slogan ‘Partnership for Welfare and Culture’, the s Insurance Company and the Salzburger Sparkasse bank are the partners on the one side, being responsible for material needs; partner on the other side is the Camerata Salzburg, and it is responsible for the artistic results. This form of cooperation serves the interests of both parties. László Molnár
CAMERATA SALZBURG 9 August 2002 7.30 p.m., Wolfgang Amadeus Mozart Alexander Zemlinsky Conductor Sir Roger Norrington
11 August 2002 7.30 p.m., Wolfgang Amadeus Mozart Erich Wolfgang Korngold Conductor Sir Roger Norrington Tickets are available from
15 August 2002 7.30 p.m., Wolfgang Amadeus Mozart Egon Wellesz Conductor Sir Roger Norrington
28 August 2002 7.30 p.m., Franz Schreker Wolfgang Amadeus Mozart Joseph Haydn Conductor Bernhard Klee Tickets for both concerts are available from
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Telephone: 0043 662 8045-500 |