![]() |
|
FRACTURE LINES OF AN EXISTENCE On Henrik Ibsen’s Peer Gynt
The “Great Hunchback”, a shady character between a figure from a saga and emotional projection, gave the young Peer Gynt a life motto which he adhered to: “A detour made!” He thus avoids painful confrontations, evades making decisions with serious consequences, loses a clear aim and finally every hold on life. His wish “Emperor, King I want to be!” is fulfilled only in a paradoxical way: the inmates of a lunatic asylum in Cairo proclaim him to be their ruler because of his egoism. Failed existence When Peer finally returns to Norway he has indeed become old but not yet mature. His motto remains unchanged, “There and back is the same path; out and in it’s the same bridge.” He is frequently confronted by strange figures which make him aware of his failed existence. When he is on the ship that brings him back a “strange passenger” involves him in conversation. Is he, because the crew does not see him, a messenger of death or a hallucination of the traveller returning home? The impressions from where Peer lived before become more intense and confused. Wild onions that he collects in a coppice become a cipher of his existence – lots of skins but no firm core. “The juice has gone, was there ever any inside?” When he approaches his old wooden hut and hears his abandoned friend
Solveig singing there, he is overcome
Undecided The button-maker, who wants to melt down Peer’s soul to make a
new cast, sums it all up: the indecisiveness of his existence, the constant
manoeuvring, his bland personality mean that no final verdict can be made
about him. Is there really no witness, who can confirm at least Peer’s
cowardice, his egoism, his atrocities? However, the verdict proves to be the opposite of what was expected: “Here is a sinner! Speak your judgement!” – “Thank goodness! He has come home!” The demand “Cry out my crimes!” makes Solveig confess: “My life was a blessed song through you”. When Peer clings to Solveig uttering the words, “Hold me in your soul!” and she sings him to sleep, cradled in her arms, the situation should not be reduced to a trivial middle-class happy ending. For the button-maker’s voice still resounds from behind the house: “We’ll see each other at the final crossroads, Peer, and then we’ll see what happens – I say nothing more”. The last message of the story, however, belongs to Solveig’s song at daybreak: “I rock you and I wake. Sleep and dream, my dear boy!”. Oswald Panagl
Henrik Ibsen New production Stage director Johann Kresnik With Perner Island, Hallein Premiere Further performances Tickets are available from the Ticket Office
|
|
|
Telephone: 0043 662 8045-500 |
|